Model Release App : Easy Release

Getting model releases signed and organized has always been a hassle for photographers and videographers especially when they ‘re on the move. Now “there’s an app for that” too!

Now photographers can use their tablet or smart phones to get the releases signed and even translated on the go! Then you can have the Getty Images-ready release e-mailed to you in jpeg or PDF form ready for archiving. The releases even include a ID image so you can visually match the shoot to your images later on!

What a great idea! I’d love to try this one out

Easy Release by ApplicationGap replaces inconvenient paper release forms with a slick, streamlined model release app designed by professional photographers for professional photographers.

via Model Release App : Easy Release by ApplicationGap : HOME.

Overexposed: The Dim Future of Photojournalism?

D. Sharon Pruitt, taking photos of her daughter Hayley, is one of a growing number of amateur photographers who earn small fees for their work. From the NYT article referred to below

I’ve written about it before, but the future of professional photography as a solo art isn’t looking any more lucrative than it did several years ago. In fact things are becoming more specialized and “good” is becoming “good enough” for cash strapped newspapers, magazines, print and web venues.

In the NY Times story, “Image of a shrinking path”, talks about how professional photographers are being overwhelmed by the amount of stock images and cheaper competition from amateur photographers who are flooding the market for weddings, portraits and even magazine and print work. The photography market has become overexposed with cheap but quality digital cameras that even those with little or no training can use to make quality images that pass for most customers.

I agree that someone who was looking for a career as a studio, portrait or even journalism photographer isn’t going to find themselves in a hot market…however someone who is willing to wade into that field, be excellent at what they do AND diversify their imaging abilities they could find themselves in a good position to grow with a hybrid industry that is still in blossom: Still/videography

Three tips for up and coming photographers:

1) Be the best photographer you can be and find ways to be better.

Devin Graham’s Facebook profile image

2) Learn and shoot video too. Check out the likes of Devin Graham who is taking YouTube videos to a new level and making money doing it. Besides even for photojournalists, this is the digital age and videos are part of image reporting now.

3) Do what you love. If you don’t really enjoy the work and toil of photography, find a way to make it enjoyable or do something else that you  do love and go be the best at it!

 

PhotoJournalism: Get model releases

Mark M. Hancock gives the best description and easily understood info about model releases for photojournalists that I’ve seen yet.  This is definitely worth a read.

The biggest benefit of a signed model release is the subjects’ knowledge they signed a release. In other words, once the subject signs the release, they’re aware it exists and aren’t going to try to sue because they know they signed it.

read the whole article at PhotoJournalism: Get model releases.

What’s been your experience with or without model releases?

Don’t come back without them.

Whatever you are covering, there are three shots every photographer should bring back to the newsroom: The overall shot, the medium shot, and the close-up. These are your must haves.

The overall shot

Often a wide angle or expansive shot that provides an overall view establishing the scene. This image let’s the viewer see how the subject(s) is/are oriented in relationship to the whole scene.

Take a street festival for example…the overall shot may show the expanse of the street lined with vendor booths and crowded with people with a perspective from a high vantage point. This image lets the viewer see how big this event really is.

The medium shot

This shot is the basic story teller shot. It lets the viewer see the subject close enough to view their actions but not so tight that they are secluded from their environment or people they are interacting with.

Back to the street festival example…the medium shot may show a street vendor interacting with a customer and leaves enough environment to place the interaction at the festival.

The close up

This shot pulls out details that support the other two shots. By narrowing the field of view, it forces the viewer to come closer and, in effect, enter the scene themselves. A close up gives the viewer that personal view of even small details that make up the whole of the scene.

In the street festival, the close up may be the sticky fist of a child holding an ice cream cone and framed by an equally sticky face or the intricate carving of an artisan’s craft.

By making sure you’ve got these three covered, you’re going to have a much better chance of coming back with not just one image that “works” but getting a story in images that will help you show what you saw and keep your editor happy.